桂林阿丽拉阳朔糖舍酒店 / 水平线空间设计 

2020-02-15 23:24 发布

酒店空间 /[工业风格]
1807 0 0
拿到阳朔Alila糖舍的成片时,很想去感慨生命的美好,想歌一长曲,或浮一大白。一万六千平米的酒店在我眼里有着千百万般的景致,高入空中烟囱顶,低至池内铺底砖,从芦苇到连理树,到旧木板及门拼花,早先的老壁旧垣,如今的姹紫嫣红开遍,四年的时光和心血……这是一篇长故事,现作文以分享之。
When I first received the photos of Alila Yangshuo, I had the urge to sing a song, to have a drink, and to eulogize the beauty of life. The hotel, covering an area of 16,000 square meters, leaves millions of images in my mind: up to the chimney top in the air, down to the bricks at the bottom of the pond; from the reeds to trees with roots twisting with each other, to the vintage wooden planks and the pattern on doors. It took four-year’s time and effort to convert the abandoned sugar mill to the current prosperity. This is a long story that I wish to record and share here.
▼糖舍酒店鸟瞰,aerial view of Alila Yangshuo

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我去过很多的度假酒店,看过很多的好风景。糖舍的地域完整性、丰富多样性,再加上独特的历史背景、感情因素,在我看来,其很是具有稀缺性。最初介入的身份是设计师,继而为了实现设计诉求、控制设计话语权变成了小股东,再变成组织者重新联系了建筑、灯光、机电等合作方团队。四年的时间里,以投资者与设计师的双重角度参与始终,对整体的格局、广度、深度、成本,各种细节的把控都有了更加深刻的心得和收获。当然,这少不了大股东们的信任与支持。
I have been to numerous resorts and have seen a lot of stunning scenery. For me, the geographic integrity and richness of the sugar mill, coupled with the unique historical background and the emotions behind it, are what’s rare and special about Alila Yangshuo. I was initially involved in the project as the designer. Later, to achieve the design appeal and to take more control in the design process, I became one of the shareholders of the hotel, and then I also worked as an organizer, cooperating with different teams including architecture, lighting and mechatronics. In the past four years, with the trust and support of all the shareholders, I had the chance to gain a more profound insight in the overall pattern, breath, depth, cost, and the control of various details of the project playing a dual role as both a designer and an investor.
▼酒店主楼外观,exterior view of the main building

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▼细部,detail

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▼连廊,cloister

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▼客房走廊,corridor

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糖舍本身有着旧厂房、工业元素,整体力量老的很雄厚。很需要在旧的空间里借当代性去碰撞出新对话,产生新能量。于是有了红大堂、金书吧、蓝酒吧,钢板锈色餐厅……每个空间里都有种强烈的颜色,将艺术性做到极致,与无法大改的老房子形成对抗、达到平衡,变出生机,将记忆海马体内部增益成长期且更加有趣的层面。
The sugar mill itself possesses factories and other industrial elements, making the ‘old’ rich and powerful. It is imperative to bring in the ‘new conversation’ of modernity and clash it with the old space to generate fresh energy. Each space is filled with strong color and ultimate artistry: red lobby, golden book lounge, blue bar, rusty iron restaurant, etc. They challenge the old space, which could not be altered much, to achieve balance and vitality. When people come, what’s in front of them will transform into deep and interesting memory during hippocampus’ long-term potentiation process.
▼接待大厅,lobby and reception

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▼糖舍本身有着旧厂房、工业元素,the sugar mill itself possesses factories and other industrial elements

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▼全日餐厅,all-day dinning restaurant

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▼主用餐区,main dining area

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▼室内细部及交通空间,detail and circulation area

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▼咖啡厅,cafe

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▼酒吧,bar

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曲得合韵,老房子体验,新房子舒适。当然这更是在强调历史客房有种更深刻的体验,有着特定位置的悬窗和风景,有特殊营造出的气质和感情。新建筑中的房间内饰很柔和,整个空间气质很细腻温软,有种轻松爽朗的少女感。洗手间的浴缸有一面石头的墙,那些被切成不规则形状后再砌成的当地毛石,除了功用外还体现着度假性。床头有桂林山水图样的浮雕,很接地气。这种装饰性的渗透需要设计把控,不能少不能散,还不能腻。
The design features the experience of the old and the comfort of the new. There is even more emphasis on the history in guestrooms. Specific locations are chosen for the hanging windows and landscape outside, creating a special temperament and feeling. The interior of the architecture is soft and delicate, like a female at her fine age. The stone wall in the bathroom is made of local rocks, which were cut into irregular shapes and then rebuilt and reassembled, not only functional but also expresses the relaxation of a vacation. Emboss depicting Guilin landscape in the room is affable and down-to-earth. This type of decorative infiltration requires skilled control of design: not too little, not too scattered, and not too cheesy.
▼客房,guest room

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▼床头有桂林山水图样的浮雕,emboss depicting Guilin landscape on the wall

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▼浴室,bathroom

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▼套房,suite

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▼新建筑中的房间内饰细腻温软,the interior of the architecture is soft and delicate

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▼套房卧室及浴室,bedroom and bathroom

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大抵度假时的视线都是平铺及向上的,于是别墅中的天花很不同,墙上则极简的干净。内里有阳朔的麻绳,交织成不同的纹路;还有如中国画般的摄影,水墨的很清雅,其后另有玄机;再有当地的石材,处理的很呼应地域关系……在里或外都可以听雨看树闻香。舒适度和当代性的结合是基本要考虑的,空间的在地性的应用也是要考量的。我们将老糖厂窗户上的旧图案提取,把在当地随处可见、和阳朔路边马路牙子同根同祖的石材,运送到外地加工完了再运回来,从SPA铺到客房再到别墅,这个图案贯穿酒店各个区域。
When in vacation, most of people’s angle of eyesight is horizontal or upward. Therefore, the ceiling in the villa is very different, and the wall is minimalist clean. Yangshuo hemp ropes are woven into different lines. Painting-like photography delivers the elegance of Chinese ink. Together with local stones, the design echoes the geographical relationship. Whether inside or outside of the room, one could listen to the rain, enjoy the scenery, and sniff the fragrance of nature. Not only the combination of comfort and contemporary needs to be taken into consideration, but also the localization of space. We extracted the old pattern from the sugar mill’s windows, transported the local stones to other provinces for processing and then shipped them back. From the SPA to the guestrooms, and to the villa, this pattern could be consistently found in the whole resort.
▼别墅,villa

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▼阳朔的麻绳交织成不同的天花纹路,Yangshuo hemp ropes are woven into different patterns of the ceiling

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▼中国画般的摄影作品搭配窗景,painting-like photography is integrated with the window scenery

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▼阳台,terrace

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▼室外庭院,outdoor terrace

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其中散挂着的以糖厂为主线的画,是个几十年的家族故事,由艺术家刘传宏创作。接待大堂的三幅装置,回应桂林山水,再分别与老糖厂、新建筑对话,由青年艺术家吴蔚订制而成。还有书吧的冥想者,餐厅中分开两组三代五口攀岩、眺望相应的雕塑。还有各处的阳朔及老糖厂本身的历史照片……这些都在讲述老房子的历史故事,老建筑更新改造成公共区域应用的故事,新、老建筑相互对话的故事,还有其中的我们自己正在书写着的故事。艺术及艺术品代表着对文化的理解,这些收藏是可以近距离看细细品味的,代表了业主自身的价值观。同样的价值其实还隐藏在了许多细节上,例如在SPA门口的北魏年间雕塑,大堂吧低调挂着的当代艺术家江大海的绘画,餐厅里手工制的蚕丝灯罩等等,这些都体现着糖舍本身的定位。
Among them are the paintings telling the family story of the sugar mill, created by artist Liu Chuanhong. Three pieces of installation in the lobby in response to Guilin landscape and having a conversation with the old and new is custom made by young artist Wu Wei. The sculptures in the book lounge and the restaurants, as well as the historical photos of Yangshuo and the old sugar mill itself are all sharing the fascinating history, the renovation, the conversation between old and new, and new chapters that we are writing with the audience. Art and artworks represent cultural understanding. These collections are worthy to be savored at close range and represent the owners’ own aesthetic values. The same values are also hidden in many details, such as the Northern Wei Dynasty sculptures in front of the SPA’s entrance, the paintings hanging in the lobby bar created by contemporary artist Jiang Dahai, and the handmade silk lampshade in the restaurant, etc. The positioning of the hotel brand could also be seen from these art pieces.
▼画廊前厅,foyer of the gallery

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▼室内展厅,exhibition area

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▼书吧,book lounge

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糖舍里的材料很多都有生命。这种原生材料,会慢慢随着时间和空气慢慢变老,会有包浆,使得整个酒店也会慢慢地有了沉淀感。空间里的旧物,代表着历史、文化积累与雅致,在糖舍中则对应为手工打磨后的旧地板,拼接出的门面板等。设计过程中特意保留的工业感,使得空间里留有拙性,不过于精致。
Many of the materials used in Alila Yangshuo have a life. This kind of raw material will slowly grow old with time and air. Beautiful patina will emerge and add a sense of precipitation to the entire hotel. Old objects in a space could represent the history, accumulation of culture and elegance. In the sugar mill, one could find them as the old floor polished by hand and the spliced door panels. The industrial style was deliberately reserved during the design process, leaving some natural clumsiness in the space and make it not too exquisite.
▼SPA区域,SPA area

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在那片用倒影连接新旧建筑的水面上,还伴着两旁的青山,整个糖舍看上去很美很轻盈,配着清早或傍晚时的天光和将熄或初亮的灯光,仿佛入画,呼吸时都会清澈许多。我们为这角度预留了最佳拍摄地,在那里看出去,刚好是老房子展开的画面。入了夜,那个水景里没有灯,水面上也没有灯,房间的灯点映在水面里,刘三姐的灯光一缕一缕亮在天空上。一边水面,一边草地,桂林的山被在半腰上打着光,整座整座地像飘在半空中,几近魔幻,任万物兴现。
The pond, backed by green mountains, connects the old and new architecture with its reflection. In the faint light of dusk and dawn, the resort looks beautiful and lithe, like a painting. We set aside the best photo shooting point for this perspective, from where one could see the picture scroll of the old houses completely unfolded. At night, there is no light in the scene, only the tiny spots of light from the guestrooms are projected on the surface of water, and the flashes of light of Impression·Liu Sanjie light up the sky. Pond on one side, and meadow on the other, the mountains are half-covered in light, as if it is floating.
▼SPA入口,SPA entrance

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前厅草地上有座微缩的山,如神龙摆尾,从大堂望出的那块恰好是龙头。那段时间选石头选到近乎魔怔,直至这一整块与我遇上,与糖舍遇上,石头也有了其自选的去处。单独的一块自己停留在了前厅的侧面,半边接雨长出青苔半边雄峻地,在前段时间还配着模特杜鹃上了次封面。后院按设想堆成的草坡上有各种适合的杂草,还有棵难得的连理树,一半桂花一半香樟,以后会成为婚礼进行的合适场地。最终,那种想要表达的气韵和周边的景致结合在了一起,老房子的周边山水的关系达到了种微妙的平衡。
There is a dragon-shape miniature hill in the lobby lawn. The part of it that could be seen from the lobby is the head. At that time, I almost became a stone fanatic, crazily searching the proper stone, until I encountered this one. It feels like the stone chose its own place to stay. Half of it has moss grow on it and the other half is steep and majestic. It appeared on the cover of Wallpaper with supermodel Du Juan just not long time ago. There are various suitable weeds on the slopes in the backyard, as we planned, and there is a rare joint tree, half Osmanthus blossoms and half camphor makes it a suitable venue for the wedding. Eventually, the spirit we wish to express goes well with the surrounding scenery, and the relationship between the old house and the natural landscape reaches a delicate balance.
▼老房子的周边山水的关系达到了种微妙的平衡,the relationship between the old house and the natural landscape reaches a delicate balance
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场所可以支配事物,可以主导心境。我很喜欢工业遗迹条件下的朗姆酒吧。将不同形态但同样舒适的座椅融入独特的空间特性中,成为那些旧阶石的一体,于是内里的酒也容易激发预设的情感反应。SPA建筑外观改造于老的储藏空间,是个旧罐子,这应该是全场最呼应糖舍本身属性的地方。天气晴朗的时候,阶梯边上透着光,连接了数百个明亮的孔洞,各种光斑和阴影汇集一处,与水泥一同铺成了条旋转状通往胜境的路。内里可以体验到喀斯特地貌溶洞中的特殊性,也可以感知到光的能量,光的流动。像万神殿。
Spaces can dominate one’s mood and feeling towards certain items. I really enjoy the rum bar born in the industrial ruins. Different shaped but equally comfortable seats blend in the unique spatial characteristics and become integral part of the old stone steps. Therefore, the wine in it could easily stimulate the default emotional response. The architecture where SPA sits is converted from an old storage space, which should be the part in the whole resort that reflects the sugar mill’s properties the most. When it is sunny, the light penetrates the edge of the steps, connecting hundreds of bright holes. All kinds of light spots and shades merge together, and, with cement, pave a passage leading to the spectacular scenery. One can experience the uniqueness of the karst caves while perceive the energy and flow of light, just like in the Pantheon.
▼SPA建筑外观改造于老的储藏空间,SPA sits is converted from an old storage space

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至今我还清晰记得每个阶段的模样,看着挖土种树起高楼,看着铺池陈列试营业,更清晰地记得开业第二天的洪水,那样一点点地将糖舍地下设施淹没,又是怀着怎样的不舍与期待等到其涅槃重开。以及我和建筑师董功那随着时间及事件的积累无比地深厚的交情,我们在木模混凝土、砌块砖实践成功现场的喜悦。还有与灯光公司Martin的通力合作,以及那些一起或单独调光的美好夜晚。这是一个很舒服的设计过程。
So far, I still vividly remembered the appearance of each stage. I watched how the soil was dug, the trees were planted, and the buildings were built. I witnessed the paving of the bricks, the display, and the trail operation. I especially remember the complex feelings of reluctance and expectation when flood came on the second day of opening and ruined the hotel’s underground facilities before we could reopen it. My deep friendship with the architect, Dong Gong, built along with the accumulation of time and events, the cooperation with the lighting company, Martin, and all those nights adjusting the lighting alone or together also stay in my memory. This is a very comfortable and pleasant design process.
▼景观水池,reflecting pond

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[url=] 106-Interior-Design-of-Alila-Yangshuo-China-by-Horizontal-Space-Design-960x629.jpg [/url]
露天电影和芦苇是我儿时的记忆,于是在场地上实现了。泳池虽然因为安全系数的关系最终没有无边界,但在漓江的边上与青山白云亲近,也是极具记忆点和仪式感的。其与那片山水,与整个糖舍融合,将两旁的老水泥桁架做为了远景近景与层层递进的媒介,似不期然而然,呈现的很恰当。
Open-air movies and reeds are my childhood memories, and I present them in the field. Although due to safety reasons, the infinity pool that we planned eventually ended up with borders. Nevertheless, being close to the green mountains and white clouds by the side of Li River is still a great and solemn memory. With the old cement trusses on both sides as a medium allowing distant view to progressively transform into close view, the resort blend harmoniously with the landscape, seemingly unexpected, but presented properly and naturally.
▼场地平面图,site plan
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▼接待区平面图,reception area plan
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▼餐厅平面图,restaurant plan
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▼水疗区平面图,spa plan
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▼书吧平面图,library plan
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▼别墅平面图,villa plan
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项目地点:广西桂林阳朔
室内设计:琚宾/水平线空间设计
建筑设计:董功/直向建筑
老建筑改造设计:琚宾、董功
场地设计:董功、琚宾
景观设计:琚宾、董功
建筑设计团队:何斌、王楠、刘晨、朱方舟、王坚、徐孟尧、孔祥栋、刘智勇、李柏、张鹏、马小凯、赵亮亮
室内设计团队:韦金晶、韦耀程、聂红明、 张洛恺、罗钒予、张轩荣、周文骏
驻场建筑师:赵亮亮、张鹏/直向建筑,李映发、李希普/水平线空间设计
机电顾问:林森、李海家、韦福良、何姣荣、高宇/深圳市嘉石机电工程设计有限公司
灯光顾问:Albert Martin Klaasen / Klaasen Lighting Design
当地设计院:桂林市建筑设计研究院
合作项目建筑师:覃建明
合作建筑师:杨木、卢远欣
结构设计:郑文甫、李波、周贤忠
机电设计:林德生、陆小燕、邓京
景观设计:于谦柏、肖滢瀛
业主:阳朔新天地旅游发展有限公司
酒店管理:阿丽拉酒店及度假村
结构:框架剪力墙结构
材料:木模混凝土、混凝土砌块、当地石材、竹木、白色肌理涂料、水磨石、水洗石
建筑面积:16,000㎡
设计时间:08/2013 – 10/2014
建造时间:10/2014 – 06/2017
摄影:井旭峰(鸟瞰:陈颢)
撰文:琚宾


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